#Editready divergent media preferences how to
#Editready divergent media preferences mp4
#Editready divergent media preferences pro
#Editready divergent media preferences mac

You also have the option of creating proxies form footage that exists already in the library. Try to find a format that works best for your edit workflow. Smaller proxies are faster to transfer and take up less storage but may not be ideal for editing your specific camera footage.

#Editready divergent media preferences pro

Final Cut Pro Import preferences window.Ĭhoose how small or how large you want your proxies to be. The second this to check is to choose your proxy format (Pro Res Proxy or H264) at the size you want. Keep all media and cache files outside of the library. Especially important for editing with Final Cut Pro and Postlab. This helps us keep the library light and portable. The most important thing to check is that “leave files in place” is selected. Final Cut will refer to these when importing. Final Cut Pro version 10.5 Import Preferencesįirst step. There were extra bug fixes (LUT for proxies) and new methods (copy new library with proxies) in 10.5 but the addition of the automatic proxy creation on import started with 10.4.9. This new proxy workflow is compatible with Final Cut Pro X v10.4.9 and 10.4.10 as well the newest version 10.5. Ready for Apple Silicon Macs and backwards compatible with macOS 10.15.6 (Catalina). Part One – Final Cut Proįinal Cut Pro 10.5 is the newest version of Final Cut Pro (which drops the “X”).

#Editready divergent media preferences how to

Seriously, there are no other similar tools! But we’ll go over how to keep your library small and light. I’ll go over the basic workflow for making proxies and getting your library ready for use with Postlab or other similar cloud collaboration tools…. I’ve written about another kind of proxy workflow before, but we will refer to that as the replace-originals-with-smaller-versions workflow and now we have the built-in easy proxy workflow. Third party tools such as review and approval app frame.io can also generate and deliver proxies to a Final Cut Pro library.” ( ) The latest proxy engine allows you to create a proxy-only copy of your library to share locally or via the cloud and displays original media if proxies aren’t available. Maximize portability and performance by creating proxy copies of your media - as low as 1/8 size - in ProRes Proxy or H.264. Re-connect to the original footage for outputs, colour grading and archiving your project when you’re done. It’s quick to upload smaller proxies to the cloud and work remotely with your team. Create a new proxy library or copy events with only proxies, so many options to fit the workflow you need. Make proxies on import, or transcode afterwards. You can run simultaneous batches within the EditReady interface, allowing you to simultaneously generate proxy media and online material, or convert footage from different cameras.Apple’s Final Cut Pro has a new proxy workflow. By leveraging the official Apple version, EditReady avoids compatibility issues. Many other transcoding apps on the market use a reverse engineered implementation of Apple ProRes. EditReady provides a simple player to view your content, even if it's in a legacy format.

#Editready divergent media preferences mac

Mac users know that just viewing clips with QuickTime X isn't always as easy as we'd like.

#Editready divergent media preferences mp4

Whether you're working with MXF from a camera like the Samsung NX1 (H.265), Canon C300 or Sony F5 or FS7 (XAVC), an AVCHD camera like a Panasonic HDC-TM900 or Sony NX5U, an HDV camera like a Sony HVR-Z7U, or an MP4 camera like a GoPro HERO4 or Canon 5d Mark III, EditReady has you covered.ĮditReady automatically detects and combines spans from GoPro, AVCHD, M2T (FireStore, Datavideo, Sony, Citidisk), and multi-file MXF (including Panasonic, Canon, Sony, Resolve, XDCam, and XDCamEX) Rather than overwhelming you with hundreds of choices you'll never use, EditReady is tailored to the formats you use every day - convert any MXF, M2T (HDV), MTS (AVCHD), or QuickTime to ProRes, DNxHD/HR and H.264. It can even leverage the power of your graphics card for fast image processing.ħ.5 minute GoPro clip transcoded to ProRes 422, 2013 Macbook ProĮditReady is designed with video professionals in mind. You can even use metadata to automatically rename files.ĮditReady is designed to use all the power available on a modern mac. Or check your previewed clip in ScopeBox via our integrated ScopeLink connection.ĮditReady allows you to view and edit all of the metadata contained within your file - this may include location data, camera settings, and diagnostic information. Apply a LUT to preview your LOG media in video, or with a specific predetermined look. EditReady allows you to screen your camera original media files before you transcode them.